Michael Adams published the edited collection, The Cambridge Handbook of the Dictionary, with Edward Fingean, which includes several chapters by him: “Dictionary Typologies”; “Dictionary Typography”; and “Legal and Ethical Issues in Dictionary-Making.” He also published various other articles: “DARE, Literature, and Enregistered Regional Identities”; “American Speech: The Columbia Years”; and “The Dictionary of American Regional English and the Idea of Dialect”

Janan Alexandra published her first book of poems, COME FROM, with BOA Editions.

Amber Bowes published a two-part blog series: “Triple-deckers and Charles Dickens’s A Child’s History of England” and “Collecting Charles Dickens’s A Child’s History of England.”

Judith Brown published the book, Modernism and the Idea of India: The Art of Passive Resistance, with Cambridge University Press.

Linda Charnes published the article “Let’s Not Kill All the Lawyers,” in the Washington Monthly.

Doug Paul Case published the poem, “How often do you think about the Roman Empire?,” with HAD.

Drew Dalton published the article, “Pessimism and the Questions of Moral Nihilism and Ethical Quietism: Schopenhauer and Mainländer on the Practical Potencies of Metaphysical Pessimism.”

Alex Dodt published several poems: “Goblin Girl Summer,” with the Florida Review; “What Makes a Prophet,” with the Emerson Review; and “Somewhere Between Childhood & Your Vertical Abandoning You” and “Yesterday is,” with the Good Life Review.

Jonathan Elmer published the book, In Poe’s Wake: Travels in the Graphic and the Atmospheric, with the University of Chicago Press.

Shannon Gayk published Apocalyptic Ecologies: From Creation to Doom in Middle English Literature, with the University of Chicago Press. She also published the article, “Making and Unmaking Catastrophe: Piers Plowman and/as Speculative Fiction,” with two former IU undergraduates, as well as a UNC-Asheville colleague and his undergraduates.

Susan Gubar published her book, Grand Finales: The Creative Longevity of Women Artists, with W. W. Norton.

Lindsay Gill published a couple of blog posts: “Women Know How to Write About Themselves—Finding a Canon of Women’s Literature” and “Entering Rome: Vatican Archives Post, Part I.”

Christoph Irmscher published several works: “The Price of Poetry: Horton, Larcom, Longfellow, Lowell, Holmes”; “Alexandrian Delights: Rereading Cavafy”; “Thoughts about an Old Portrait: On Marie Rosenthal, Berthold Hatschek, and Ernst Haeckel”; “How the Dead Can Dance: On Rosamond Purcell’s ‘Nature Stands Aside.’” He also completed his “non-memoir,” Borrowed Lives, currently out for review.

Patricia Ingham published several articles and chapters: “Persistence”; “Humble Originality: Geoffrey Chaucer’s Emergent Style”; “Ways We Pay Attention”; as well as a review essay, “Scenes of Reading: Claiming our Situated Histories,” currently in press.

Angela Jackson-Brown published the book, Untethered, with Harper Muse.

Lauren Keeley published a review of Joshua Billings and Christopher Moore’s The Cambridge Companion to the Sophists.

Ivan Kreillkamp published the articles, “Living on Pea-nuts: Gissing, Fiction, Subsistence,” “Meat, Flesh, Skin: The Carnality Of The Secret Agent,” and “Up the Junction: A Place, A Fiction, A Film, A Condition.”

John Louis Lucaites co-edited the collection, Pain and Pleasure in U.S. Public Culture, with the University of Alabama Press.

Angela Lim published the poem, “Dear Space Enthusiasts,” with The Banyan Review.

Jesse Molesworth submitted his book, Forms of Time, Newton to Austen, for publication. It will be published in April 2026 with Stanford University Press.

Walton Muyumba published the chapter, “Yellow Light, Black Abstraction: Beauford Delaney’s Influence on James Baldwin’s Later Criticism” and a peer-reviewed conversation, “Exit Interview: a check-in between Tara Aisha Willis, Walton Muyumba, and Faye Raquel Gleisser.” He also published several book reviews: “Institutional Denial of Civil Rights”; a review of Alissa Wilkinson’s We Tell Ourselves Stories: Joan Didion and the American Dream Machine; a review of Chimamanda Ngozi Adichie’s Dream Count; “Double Play in The Sympathizer”; a review of Ta-Nehisi Coates’ The Message; a review of Wright Thompson’s The Barn; “Danzy Senna’s Dark Tragicomedies,” a review of Danzy Senna’s Colored Television; and a review of Anthony E. Kaye and Gregory P. Downs’ Nat Turner, Black Prophet.

Claire Patzner published the article, “‘The World Is Cursed’: Studio Ghibli’s Radical Environmental Philosophy,” as well as a film review of Elena Guzman’s Smile4Kime.

Robin Reames published the book, The Ancient Art of Thinking For Yourself: The Power of Rhetoric in Polarized Times, with Basic Books.

Ishita Sehgal published a review of Frédéric Fanget, Catherine Meyer, and Pauline Aubry’s graphic novel, The Anxiety Club: How to Survive Modern Life. She also received an Honorable Mention for the Hillary Chute Award for the Best Graduate Student Paper awarded by the Comics Studies Society.

Rebekah Sheldon published the articles “Cruising Utopia, Conjuring Magic” and “Phallos/Phallus: Queer Sex Magick.”

Mollika Singh published three poems, “Nanu Remembers” and “Ganga Jal,” with Brown Sugar Lit, and “Golden Shovel After the Group Chat,” with Blue Marble Review.

Ellen Stenstrom published the article, “The Self-Fashioned Writer’s ‘Confession’: Margery Kempe, Sylvia Plath, and Me.”

Alberto Varon published the article, “Sonic border raids: The racial acousmatic and contemporary Latinx opera.”

Laura Tscherry received an Honorable Mention for Indiana University’s Distinguished Dissertation Award, as well as a Scholars of Sexology Fellowship from the Kinsey Institute. They also published the article, “Startled into Frankness: Style, Difficulty, and (Queer) Self-disclosure in the Classroom with Gertrude Stein.”

Samrat Upadhyay published the book, Darkmotherland, with Soho Press.

Caitlin Watt published the article, “Courtly Lovers and Bad Mothers: Foreign Queens in the Auchinleck ‘Of Arthour and of Merlin’” and the chapter, “‘Thy Womb Will Avenge Thee’: Olympias, Revenge, and Consent in Medieval Alexander the Great Narratives.”

Stephen Watt published the book, From the ‘Troubles’ to Trumpism: Ireland and America, 1960-2023, with Anthem Press.